Photography not only builds your observation skills and tells a story, but also teaches both photographer and viewer about what is framed within that composition.

Petrified Forest National Park in central Arizona is being considered by the U.S. Fish and Wildlife Service as a release point for endangered black-footed ferrets.

Vandalism in its many forms, seems to be continuing unabated in the national parks. The Leave No Trace Seven Principals don’t appear to apply to those who wish to let others know they were there in the form of acrylic paint on 180-million year old sandstone and gouges into rock and living trees in places like Zion, Joshua Tree, Olympic, and Redwood national parks? Is modern graffiti on protected lands considered art and future history for archeologists, much like the ancient petroglyphs and pictographs now safeguarded within the boundaries of natural parks, national memorials, and other park units? Or is it a despoiling of protected National Park Service lands by a selfish few who apparently learned no respect for keeping the landscape unblemished for the enjoyment of present and future generations? Contributing editor and photographer Rebecca Latson offers her own thoughts on the subject.