North-central Oregon is not only one of the most geologically interesting and beautiful parts of the state, but of the nation, really. A visit to John Day Fossil Beds National Monument is a great introduction to Oregon’s geology and interior landscape.
Thirty-two-million years after a saber-tooth cat stalked prey on the landscape known today as Badlands National Park, a 7-year-old girl working for her latest Junior Ranger badge spotted the animal's fossilized skull protruding from a hillside.
Contributing photographer and writer Rebecca Latson has spent the past 11 years with the National Parks Traveler, writing about tips and techniques for getting the best national park photos – no matter what camera you use. In her final article for the Traveler before it goes dark on December 31, 2023, Rebecca recaps some of those tips and techniques.
Many of you visiting a unit within the National Park System capture photos for more than just Instagram, right? Maybe those shots will accompany a blog, report, or other online/paper publication. How you photographically document your subject determines the extent to which your viewing audience will understand and appreciate that feature, concept, or process.
There are trails within each of the three units comprising John Day Fossil Beds National Monument, none of them very long. In truth, you can do every single trail within a unit (not each unit, but a unit) in an entire day. Contributing writer and photographer Rebecca Latson describes the trails she hiked at the Painted Hills Unit of this national monument in Oregon.
Chances are, you've photographed atmospheric phenomena like this sun halo captured at the Painted Hills Unit of John Day Fossil Beds National Monument. An atmospheric phenomenon is created by the interaction of sunlight or moonlight with the atmosphere, clouds, rain, water, dust or other particulate matter.
Chances are, during a national park visit, you’ve probably photographed – intentionally or accidentally – an interesting event involving the play of light known as an atmospheric phenomenon. This manifestation may show up as the subject of your composition, or perhaps as an accessory highlighting your subject.